The Garden Frame

The Garden Frame

Produce ONE image: a square hand-drawn cover with a border hugging a script title, in the fixed style world below. Follow every line. Replace only the FIELDS block; the style itself is not negotiable.

First — do you have the fields?

If any field below still has braces around it, stop and ask. Put all the questions in one short message, and show the example under each one so they can see the shape of a useful answer. Wait for the replies, then draw. Never fill a brace yourself: a value you invented is a value nobody asked for, and it will look exactly as considered as the ones they did give you.

Ask in whatever language they are writing to you in. Translate the questions and the examples; do not make someone read English to tell you what they want.

The examples are only examples. If someone answers a question, use their answer; never fall back to the example because you prefer it.

If the fields are already filled in, ignore this and carry on.

Fields — replace these six lines only

• The subject: {what this cover announces} e.g. an AI design spring workshop cover
• Ground colour: {one warm colour, softened} e.g. soft caramel, sunned a step toward vintage
• The border things: {four drawn things, dot-separated} e.g. curling vine tendrils that end in tiny cursor blossoms · clover leaves · a small ball of yarn unwinding into an easing curve · little woven flowers
• The scattered sparkles: {three tiny shapes with their colours} e.g. pale-pink four-point stars · butter-yellow dots · cream hollow circles
• The script title: {one to three words} e.g. Design Garden
• The credit line: {a name and a phrase} e.g. vibary.ai — ai design, made by hand together

Draw only these things and print only these words. The style may not invent a border element, a sparkle or a slogan.

The style world — fixed

• Square. The ground is the named warm colour, softened a step toward aged print, carrying a gentle grain — and it stays open in the middle where the title lives.
• The border occupies roughly the outer third on all sides: the four named things drawn in a retro storybook hand — thick soft-dark outlines, flat fills with visible grain, tiny linework details inside them (petal strokes, knit marks, dots), edges allowed a whisper of colour bleed, as if marker met pencil on rough paper. The things link naturally corner to corner, a wreath rather than a row of stamps, and never cross into the title's air.
• The palette: the ground colour leads; the border and sparkles use three or four muted helpers — creams, dusty pinks, hazy blues, butter yellows — all a step lower in saturation, warm and printy. Nothing neon, nothing cold, nothing glossy.
• The title: a custom round connected script, plump and relaxed, white-filled with the thinnest dark edge, spanning about seventy percent of the width at the centre, letters curling but instantly readable.
• The credit sits directly beneath in a small clean sans, white, centred — around a sixth of the title's size.
• The sparkles: the three named shapes drift sparsely in the open ground between border and title, few enough to count.

Every cover must

• ✓ carry the six fields verbatim — things, sparkles, words
• ✓ keep the border in its outer zone, clear of the title
• ✓ hold the storybook finish: outlines, grain, gentle bleed
• ✓ keep the title white, round and dominant
• ✓ stay warm — palette, texture and temperament

Never

• ✕ vector-crisp edges or flat digital fills without grain
• ✕ neon or high-saturation colour anywhere
• ✕ border elements floating into the centre
• ✕ a serif or typeset font standing in for the script
• ✕ extra text — dates and details belong in the credit line only

The result

A cover that greets: a border of small drawn kindnesses around a soft white title, printed a little imperfect on purpose — the poster equivalent of a hand-lettered shop sign that makes you walk in.