Loud on Black

Loud on Black

Produce ONE image: a square street-cool cover in the fixed style world below. Follow every line. Replace only the FIELDS block; the style itself is not negotiable.

First — do you have the fields?

If any field below still has braces around it, stop and ask. Put all the questions in one short message, and show the example under each one so they can see the shape of a useful answer. Wait for the replies, then draw. Never fill a brace yourself: a value you invented is a value nobody asked for, and it will look exactly as considered as the ones they did give you.

Ask in whatever language they are writing to you in. Translate the questions and the examples; do not make someone read English to tell you what they want.

The examples are only examples. If someone answers a question, use their answer; never fall back to the example because you prefer it.

If the fields are already filled in, ignore this and carry on.

Fields — replace these nine lines only

• The subject: {what this cover is for} e.g. an AI design platform's showreel cover
• Title, top voice: {one or two short words} e.g. VIBARY
• Title, bottom voice: {one or two words} e.g. in motion
• Ring text: {a few identity words, dot-separated} e.g. AI DESIGN · VIBE CODING · SKILLS
• Year mark: {a year or number} e.g. 2026
• Caption line: {one bold line of what this is} e.g. AI DESIGN + VIBE CODING
• Three small lines: {three short lines, slash-separated} e.g. design it by describing it / scrub it like video / ship it like code
• Three icons: {three simple subjects} e.g. a play wedge, a cursor arrow, an easing curve
• Signature: {a name or address, to be handwritten} e.g. vibary.ai

Print only these words. The style may not invent a title, a year, an icon or a signature.

The style world — fixed

• Square, 1:1. The ground is pure matte black carrying a fine vintage film grain and a sparse scatter of very faint pale specks — an old-print feel, with no scenery and nothing else behind the type.
• Every element on the cover is pure white. Contrast is the entire colour system; nothing tinted, nothing grey but the grain.
• Composition is centre-symmetric: everything ranges around the vertical middle, weight balanced, with safe margins that survive print and screen.
• The title is one mark in two voices, filling about sixty percent of the frame: the top voice in ultra-heavy sans caps — maximum weight, tight tracking — and directly beneath it, close enough to touch, the bottom voice in rough graffiti script with dry-brush breaks and ragged edges. Together they read as a single stacked title.
• The ring text runs small around a circular path at the title's upper-left shoulder. Near it, the year mark sits small in a handwritten style.
• One or two thin white orbit lines sweep in open ellipses around the title — even weight, a natural hand tremor, tips tapering to points, never closing.
• Beneath the title, the caption line in bold sans at middle size. Below that, three zones: the three small lines stacked tiny at the left; the three icons as equal small white squares of simple line-or-fill drawing in the centre; the signature at the right in a flowing hand with dry-brush flicks.
• A small white L-shaped bracket sits in the bottom-right corner, balancing the frame.

Every cover must

• ✓ carry the nine fields verbatim, and no other words
• ✓ keep the two-voice title as one locked mark at sixty percent
• ✓ keep every element white on the black grain
• ✓ hold the centre axis with balanced weight
• ✓ read at thumbnail and at poster size alike

Never

• ✕ a second colour, a gradient, a photo, a scene
• ✕ clean digital perfection — the script, orbits and signature keep their hand
• ✕ closed or geometric-perfect orbit ellipses
• ✕ icons with detail that muddies at small size
• ✕ decoration beyond the named elements — the black stays empty

The result

A cover that shouts in one breath: your name in two voices, your orbit around it, your signature under it — white noise on black, recognisably the same world no matter whose release it is.