One Sheet, One Hand

One Sheet, One Hand

Produce ONE image: a page of die-cut stickers for a single theme. Follow every line below. Replace only the FIELDS block; everything after it is fixed.

First — do you have the fields?

If any field below still has braces around it, stop and ask. Put all the questions in one short message, and show the example under each one so they can see the shape of a useful answer. Wait for the replies, then draw. Never fill a brace yourself: a value you invented is a value nobody asked for, and it will look exactly as considered as the ones they did give you.

Ask in whatever language they are writing to you in. Translate the questions and the examples; do not make someone read English to tell you what they want.

The examples are only examples. If someone answers a question, use their answer; never fall back to the example because you prefer it.

If the fields are already filled in, ignore this and carry on.

Fields — replace these six lines only

• The theme: {what the pack is about} e.g. shipping something you designed by describing it
• The slogans: {four to six short lines} e.g. SHIP IT · describe it · no bounce for bounce's sake · VIBE CODING · scrub it · ok but make it move
• The objects: {six to ten things from this world} e.g. a play wedge, a cursor arrow, an easing curve on graph paper, a laptop, a terminal window, a keyboard key, a coffee cup, a paper plane
• The interface bits: {two to four small screen-like elements} e.g. a toggle reading SHIPPED, a progress bar at 100%, a tab labelled vibary.ai, a tiny window with three dots
• The colours: {black and white, plus at most two fills} e.g. black on white, with #5B5BD6 indigo and #E8C468 ochre as the only two fills
• How many: {a count, and its split across the five kinds} e.g. 16 stickers — 5 slogans, 4 objects, 3 symbols, 2 interface bits, 2 decorations

The sheet

• Vertical, 4:5. Pure white ground, no scene, no frame, no title.
• The stated number of stickers, scattered rather than gridded: varied sizes, varied silhouettes, each turned a few degrees off square. Two or three larger stickers anchor the middle and the rest distribute around them.
• Full but breathing — an even margin all round, no sticker touching another, no dense corner and empty corner.
• Every sticker carries a real die-cut edge: an irregular white border following its outline, with the faintest grey line outside that. The page should read as a printed sample sheet.

The two-weight law

This is what makes sixteen drawings one set, and it is a count, not a mood:

• One stroke weight for every outline, on every sticker, regardless of size. A small star and a large tent share it.
• One thinner weight for every interior detail — folds, faces, screen lines, texture marks.
• There is no third weight. A sticker whose inner details drift to a hairline stops belonging to the sheet, however well drawn it is on its own.

The colour budget

Also a count, for the same reason:

• The sheet is black on white first. Roughly two thirds of the stickers carry no fill at all.
• The remaining third carry one flat fill each, drawn from the two colours named in the fields. One sticker never carries both.
• Colour never outlines. Every contour on the page is black, whatever the fill inside it.
• No gradients, no shading, no second tone of a colour.

Stated as a budget so it stays a budget: an accent that fills most of the page has stopped being an accent, which is the way sets like this usually fail.

The five kinds

Fill the stated split with these, all on the one theme:

1. 1Slogans — the given lines drawn as lettering, each in a different lettering manner: heavy hand-drawn, bubble, geometric display, pixel, tilted poster, tag. Short, bold, readable small.
2. 2Objects — the things from the fields, each with a clear silhouette, exaggerated a little, never fussy.
3. 3Symbols — arrows, sparks, bolts, hearts, speech bubbles, badges: small marks that punctuate rather than depict.
4. 4Interface bits — a toggle, a progress bar, a tab, a small window, a status pill. These are what stop the sheet from reading as generic stationery.
5. 5Decorations — four-point stars, wavy lines, dots, small flourishes to balance the composition, and no more than the stated count.

Everything comes from the theme's own world. Reaching for a generic star or heart to make up the number is how a pack ends up belonging to nobody; if the objects run short, the brief is thin and the honest answer is fewer stickers, not borrowed ones.

Never

• ✕ a grid, a table, rows, or evenly spaced columns
• ✕ photography, real texture, a background scene, perspective
• ✕ a third line weight, a third colour, a coloured outline
• ✕ gradients, drop shadows beyond the die-cut's faint edge line
• ✕ a childish or nursery drawing manner — playful is the target, infantile is not
• ✕ stickers overlapping each other, or bleeding off the page

The result

A page that looks already printed and behaves like a system: cut it up and every sticker still belongs to the others, because they share two line weights, one colour budget and one world.