Four Sizes, One Glow
A white word with a faint prism fringe, floating on a blurred wash that runs warm at the top into deep at the middle, with a marquee of keywords across the base. Five fields.


Two runs of the same template. A brand name at four sizes beside TIDEWATCH, a tide-awareness project — same ladder of four, same single glow, a completely different vocabulary in the term list.
Generated from this template with the fields shown above — the wash runs gold at the top through deep indigo to near-white at the base with no visible banding, the title carries a fine blue-violet fringe at its edges rather than a glow, and all thirteen keywords fit the dash-separated band. Run-to-run quirks: the title can push past the sixty percent width, and the fringe reads stronger on the left edge than the right. The four-size ladder, the strict centring and the fully soft background hold every time.
Generated for this library
Input
Mark VIBARY
Intro motion you can scrub, code you can paste
Title MOTION
Keywords INTERFACE - EASING - PARTICLES - WEBGL - SHADERS -
SCRUB - PASTE - SHIP - TIMING - CURVES - SPRING -
DAMPING - AI CODING
Wash pale gold and cream at the top, deep indigo and
charcoal through the middle, near-white at the base
Returned 1 poster · 3:2 · centred · one continuous wash
wash pale gold bleeding down into deep indigo through the
centre and easing to near-white at the base, fluid and
fully blurred, no edge anywhere
mark VIBARY tiny and centred at the very top
intro motion you can scrub, code you can paste beneath it in
thin letterspaced type, dark grey
title MOTION across the centre in very heavy white caps,
corners slightly rounded, over half the width, a faint
blue-violet fringe at its edges
band the thirteen keywords running across the base in one
dense dash-separated marquee, tiny black caps
ladder the title is more than eight times the band's sizeYou fill in 5 fields — the braced lines at the top. Everything below them is fixed.
- 1The mark
- 2The intro line
- 3The title
- 4The keyword band
- 5The wash
Four Sizes, One Glow
Produce ONE image: a soft-gradient poster built on four sizes of type. Follow every line below. Replace only the FIELDS block; everything after it is fixed.
First — do you have the fields?
If any field below still has braces around it, stop and ask. Put all the questions in one short message, and show the example under each one so they can see the shape of a useful answer. Wait for the replies, then draw. Never fill a brace yourself: a value you invented is a value nobody asked for, and it will look exactly as considered as the ones they did give you.
Ask in whatever language they are writing to you in. Translate the questions and the examples; do not make someone read English to tell you what they want.
The examples are only examples. If someone answers a question, use their answer; never fall back to the example because you prefer it.
If the fields are already filled in, ignore this and carry on.
Fields — replace these five lines only
- The mark: {a small brand or project name} e.g. VIBARY
- The intro line: {one short line of copy} e.g. motion you can scrub, code you can paste
- The title: {one word} e.g. MOTION
- The keyword band: {ten or more short terms} e.g. INTERFACE — EASING — PARTICLES — WEBGL — SHADERS — SCRUB — PASTE — SHIP — TIMING — CURVES — SPRING — DAMPING — AI CODING
- The wash: {a warm top colour, a deep middle colour, a pale base colour} e.g. pale gold and cream at the top, deep indigo and charcoal through the middle, near-white at the base
The wash
- Landscape 3:2. Everything is centred and symmetrical.
- The background is one large, soft, diffuse gradient light effect: fluid in shape, completely blurred, with no hard edge anywhere.
- It runs from the warm colour at the top, through the deep colour across the middle, easing into the pale colour at the base. Every transition is seamless — no banding, no visible boundary.
- It carries a hazy, translucent lens-bloom quality, as though daylight were passing through a prism.
- Nothing else is in the background: no texture, no noise, no shapes, no pattern.
The four sizes
Strict centre alignment throughout, and the title is at least eight times the size of the keyword band — the size ladder is the design.
- The mark, at the very top: tiny, a simple sans or minimal glyph. Small enough to read as an identifier, never as a headline.
- The intro line, below it: one or two lines in a thin sans with open letterspacing, in dark grey or black. Concise, set as a lead-in.
- The title, at the visual centre: very heavy sans, occupying more than sixty percent of the frame's width, in pure white, with corners very slightly rounded and a barely perceptible blue-violet chromatic fringe at its edges — optical dispersion, not a glow. This is the absolute focus.
- The keyword band, across the very bottom: many short terms in extremely fine all-caps sans, separated by short dashes, run together into one dense centred marquee. Very small, deep black, weighting the base against the title.
Colour
- The warm top, the deep middle, the pale base, plus white for the title and black for the small type.
- The warm can be orange, gold, pink or yellow; the deep can be blue, violet, teal or ink; the base is always a very pale cool near-white.
- Every transition stays soft-focus. No sharp boundary exists anywhere in the image.
Every part must
- ✓ sit on the exact centre line
- ✓ respect the eight-times size ladder
- ✓ stay soft in the background and crisp in the type
- ✓ keep the fringe subtle enough to notice only on inspection
- ✓ leave the wash free of any other element
Never
- ✕ a hard-edged shape, a frame, a rule or an icon
- ✕ visible banding or a stepped gradient
- ✕ a heavy neon glow instead of a fine chromatic fringe
- ✕ off-centre or asymmetric type
- ✕ texture, grain, noise or pattern in the wash
- ✕ text beyond the four levels
The result
A poster that looks lit from behind: one word floating in weather, a whisper above it, a dense little band of vocabulary below, and nothing anywhere with a hard edge.
The whole template, in one piece. The steps below are the entire workflow.
How to use it
- Copy the whole template with the button above.
- Replace the five FIELDS lines. The wash line is the mood: gold-to-indigo reads warm and premium, pink-to-violet reads fashion, amber-to-ink reads editorial.
- Paste it into any image-capable agent or model, in one message. One run returns the poster.
- Change the title and the wash colours for each drop; the four-size ladder keeps the whole season looking like one campaign.
What you swap
- The mark
- VIBARY
- The intro line
- motion you can scrub, code you can paste
- The title
- MOTION
- The keyword band
- INTERFACE — EASING — PARTICLES — WEBGL — SHADERS — SCRUB — PASTE — SHIP — TIMING — CURVES — SPRING — DAMPING — AI CODING
- The wash
- pale gold and cream at the top, deep indigo and charcoal through the middle, near-white at the base
Before it runs
- A one-word title. It carries sixty percent of the width and a second word halves the effect.
- Ten or more keywords. The band needs real density to work as a counterweight; five looks like an unfinished list.
- Three colour zones for the wash — warm, deep, pale. Naming only one gives the gradient nothing to travel between.
When to reach for it
Product launches and season openers that should feel expensive and calm. The whole thing is one blurred gradient and four sizes of type, which is why it never looks busy.
What changes
- A finished 3:2 poster where the background is one continuous soft wash with no hard edge anywhere.
- The title is white, very heavy, slightly rounded at the corners, carrying a barely-there blue-violet chromatic fringe like light through a prism.
- Four text sizes stack in strict symmetry — mark, intro, title, keyword band — with the largest at least eight times the smallest.
- A dense marquee of dash-separated keywords runs across the bottom, weighting the page against the title.
- The wash goes warm at the top, deep in the middle and nearly white at the base, so the poster reads as lit rather than coloured.
Pairs with
- Cut From the PictureThree stacked words knocked out of a photograph, filled with the picture's own colour, above the strip of image they were cut from. Three fields.
- Every Letter a ThingOne word where no two letters are made of the same stuff — one is glass, one is a shell, one is a fish — floating over a road that runs to the horizon. Five fields.
- Four Cards, One PersonOne person sits in a bare studio while four frosted-glass cards hover around them — intro, skills, contact, link — with their title set enormous behind their shoulders. Six fields.